Storytellers

It's an overused but true saying that a picture is worth a thousand words. Every TV writer's heard a million times, "Write to video." 

I know when I truly got what that means.

I'd written a lead story about an illegal, multistate puppy mill ring. Our news director tore up my script. 

"See these images?" he said, cuing up shots of sad puppies whimpering behind chain link fencing. "Start here. Then go into this sound bite."

He showed me how to turn a good story into an extraordinary one; not being exploitive but using the full impact of the visual medium.  

He also gave me my first big breaks: the anchor desk, top story live shots (threatening to fire me if I screwed up), network stories.

He could be a tyrant, too. When a childhood friend's mom died, he told me not to come back if I left during a critical news time. I walked out, driving six hours in a blizzard to get to the funeral.

He called a few days later demanding to know why I wasn't at work. "You fired me," I said. "Show up," he said. It was his way of saying, "You're still on the team." 

That year we took the station to first in the ratings for the first time in 40 years.

He was fiercely competitive but taught me to use that drive to dig beyond surface facts. He denied me only one title: war correspondent. Despite the risk, I'd wanted to cover history from Iraq's frontlines.

Eventually I'd go to the frontlines of war zones of a different kind - inner cities, disaster zones, Haiti...

Storytellers.  We see the risk, but we also see the chance to tell history. See those images? Start there.

www.facebook.com/shayholland